While many people know and appreciate the musicals of Stephen Sondheim, few have had the opportunity to unpack what makes his work special. The course will invite participants to listen closely to how Sondheim’s words and music work together to create complex, moving and delightful narratives for shows that have ushered the musical theatre into its modern era.
We’ll be looking at different musicals that we did not examine last year in “Act I.” You need not have attended “Act I” to enjoy this class.
We’ll investigate key concepts in musical theatre studies to shed light on what makes Sondheim great and why his musicals endure. We will unpack some of Sondheim’s works, looking for evidence that he is a “playwright in song.” We’ll see how Sondheim has elevated the genre, ushering in the musical’s modern era.
Session #1
Wednesday, January 21: West Side Story: documenting Sondheim’s maturation. A look at some of Sondheim's lyrics for West Side Story, which he wrote when he was just 26 years old. Since the show was written, more or less in chronological order, we can watch Sondheim grow as a lyricist as he came into his own while collaborating.
Suggested viewing in advance of West Side Story session (I leave the choice up to you)
The 1961 movie is available to rent on Amazon Prime and on other platforms.
The 2021 movie is available to rent here:
https://www.youtube.com/watch?v=D-HbO7ND7aE
It is also available to stream or rent on Amazon Prime and on other platforms.
Session #2
Wednesday, January 28: Anyone Can Whistle: Examining Sondheim’s biggest flop helps us anticipate the sophistication that would mark his later successes.
Viewing in advance of Anyone Can Whistle session
Anyone Can Whistle Encores semi-staged production (Shot from the audience. Try to stick with it)
https://www.youtube.com/watch?v=fG485DFjj5k
If that becomes frustrating can listen to the cast album on YouTube:
https://www.youtube.com/watch?v=ElVYP0twTkc&ab_channel=JordanGerardPotier
or try these:
ACT I Ravinia 2005
https://www.youtube.com/watch?v=_IIKmcPPYdY&t=1824s&ab_channel=DamianHubbard
Act II Ravinia 2005
https://www.youtube.com/watch?v=E65ETKUS4bc&ab_channel=DamianHubbard
Or, watch a summary of the show I put together for your enjoyment:
https://www.youtube.com/watch?v=bR10cxQaog4&ab_channel=GailLeondar-Wright
Session #3
Wednesday, February 4: A Little Night Music: Sondheim disrupts conventions of the musical theatre song. We’ll explore how Sondheim messes with audience expectations by giving us something that, on the outset, seems familiar. But then he twists it, rendering it vaguely familiar, but strange enough to make us just a little uncomfortable.
Viewing in advance of A Little Night Music session
A Little Night Music New York City Opera
https://www.youtube.com/watch?v=8nfd98fE9T8&t=1s
Don’t bother with the motion picture version.
Session #4 Wednesday, February 11: Pacific Overtures: Sondheim as problem-solver. We’ll look at how Sondheim solved problems related to subject matter and libretto, using the 1976 musical, Pacific Overtures as an example. And we’ll see how he made an entire universe out of a few concrete images.
Viewing in advance of Pacific Overtures session
Pacific Overtures (original Broadway Production)
https://www.youtube.com/watch?v=cv6_med0tFM
Same production. Clearer, but has an AI vibe:
https://www.youtube.com/watch?v=jrzH0UqUTDw&t=3232s
Session #5
Wednesday, February 18: Merrily We Roll Along: Content dictates form. We’ll discover that not only does the story of Merrily We Roll Along run backwards, but the musical itself runs backwards, with reprises occurring even before the song on which they are based. We’ll also look at how Sondheim’s modular writing (musical ideas that recur) helps audiences follow the musical’s backwards structure and adds poignancy and depth to the show.
Viewing in advance of Merrily We Roll Along session
Merrily We Roll Along (Menier Chocolate Factory production, excellent quality)
https://drive.google.com/file/d/1Yuc5ZTdOFFe5NLhZ35F2JsU2mbZZf5PL/view?usp=sharing
Session #6
Wednesday, February 25: Assassins: How Sondheim depends upon our knowledge of American song forms to deliver a punch in this powerful musical.
Viewing in advance of Assassins session
Assassins Encores! 2017
https://www.youtube.com/watch?v=2qFpgOm37q4&t=3s